Instructor: Blake Jones
Price: 714,00 €
Payment in advance required
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Virtual Classroom Training (Zoom-Meeting) with Trainer Blake Jones
Lean how to:
– Start with a complete look at Resolve, and what tools are great for the colorist?
– Watermarks, and burnt-in text for editors
– Use the Clone and Media Management tools
– Grade a look for editing from 4K RAW camera files
– Render 1920×1080 ProRes or DNxHD for editing, compressed H264 for the clients, and DPX or EXR for the VFX team
– How to export correctly from a Resolve RAW timeline for editing in Avid/FCP/Premiere
– Conform the finished cut in Resolve using the XML, and what to do if it’s not correct
– Bring in audio WAV files and compare the conform with the offline reference movie
– Swap to the RAW camera files
– Grade a complete project using advanced techniques on supplied material that you can take away
– Complete Primary controls. Lift Gamma Gain, Offset, Curves, and LOG grading, and when to use each tool
– Using the new Magic Mask
– Working with the new Color Warper?
– 8bit versus 10bit? ProRes or DNxHD?
– Color spaces and 4K-8K larger resolutions explained
– Grading dissolves and wipes in a baked timeline
– How to animate shapes and framing with the key-framing tools
– Secondary grading, including the 3D keyer and Hue Curves
– Tracking controls, including the FX and Point Tracker
– Total Nodes and when to use each type including the Shared Node
– Physically add grain and scratches from supplied ICA media
– External mattes: How do they help us?
– NR: we look at the different types
– Creating multiple timelines
Each day we usually start at 10:00 and finish at 17:00.
We also have a lunch break for one hour.
Read the full course description.